Browsing Chinese (Simplified) translation

73.

<p>Control the red pixel selection threshold.</p><p>Low values will select more red pixels (aggressive correction), high values will select fewer (mild correction). Use a low value if an eye has been selected exactly. Use a high value if other parts of the face have been selected too.</p>

79.

Set the tint level to adjust the luminosity of the new color of the pupil.

165.

Blur FX

176.

<p>Select the blurring effect to apply to image.</p><p><b>Zoom Blur</b>: blurs the image along radial lines starting from a specified center point. This simulates the blur of a zooming camera.</p><p><b>Radial Blur</b>: blurs the image by rotating the pixels around the specified center point. This simulates the blur of a rotating camera.</p><p><b>Far Blur</b>: blurs the image by using far pixels. This simulates the blur of an unfocalized camera lens.</p><p><b>Motion Blur</b>: blurs the image by moving the pixels horizontally. This simulates the blur of a linear moving camera.</p><p><b>Softener Blur</b>: blurs the image softly in dark tones and hardly in light tones. This gives images a dreamy and glossy soft focus effect. It is ideal for creating romantic portraits, glamour photographs, or giving images a warm and subtle glow.</p><p><b>Shake Blur</b>: blurs the image by shaking randomly the pixels. This simulates the blur of a random moving camera.</p><p><b>Focus Blur</b>: blurs the image corners to reproduce the astigmatism distortion of a lens.</p><p><b>Smart Blur</b>: finds the edges of color in your image and blurs them without muddying the rest of the image.</p><p><b>Frost Glass</b>: blurs the image by randomly disperse light coming through a frosted glass.</p><p><b>Mosaic</b>: divides the photograph into rectangular cells and then recreates it by filling those cells with average pixel value.</p>

194.

<p>Select the effect type to apply to the image here.</p><p><b>Solarize</b>: simulates solarization of photograph.</p><p><b>Vivid</b>: simulates the Velvia(tm) slide film colors.</p><p><b>Neon</b>: coloring the edges in a photograph to reproduce a fluorescent light effect.</p><p><b>Find Edges</b>: detects the edges in a photograph and their strength.</p>

242.

<p>Here, select the type of effect to apply to an image.</p><p><b>Fish Eyes</b>: warps the photograph around a 3D spherical shape to reproduce the common photograph 'Fish Eyes' effect.</p><p><b>Twirl</b>: spins the photograph to produce a Twirl pattern.</p><p><b>Cylinder Hor.</b>: warps the photograph around a horizontal cylinder.</p><p><b>Cylinder Vert.</b>: warps the photograph around a vertical cylinder.</p><p><b>Cylinder H/V.</b>: warps the photograph around 2 cylinders, vertical and horizontal.</p><p><b>Caricature</b>: distorts the photograph with the 'Fish Eyes' effect inverted.</p><p><b>Multiple Corners</b>: splits the photograph like a multiple corners pattern.</p><p><b>Waves Horizontal</b>: distorts the photograph with horizontal waves.</p><p><b>Waves Vertical</b>: distorts the photograph with vertical waves.</p><p><b>Block Waves 1</b>: divides the image into cells and makes it look as if it is being viewed through glass blocks.</p><p><b>Block Waves 2</b>: like Block Waves 1 but with another version of glass blocks distortion.</p><p><b>Circular Waves 1</b>: distorts the photograph with circular waves.</p><p><b>Circular Waves 2</b>: another variation of the Circular Waves effect.</p><p><b>Polar Coordinates</b>: converts the photograph from rectangular to polar coordinates.</p><p><b>Unpolar Coordinates</b>: the Polar Coordinate effect inverted.</p><p><b>Tile</b>: splits the photograph into square blocks and moves them randomly inside the image.</p>

297.

<p>Select your constrained aspect ratio for cropping. Aspect Ratio Crop tool uses a relative ratio. That means it is the same if you use centimeters or inches and it does not specify the physical size.</p><p>You can see below a correspondence list of traditional photographic paper sizes and aspect ratio crop:</p><p><b>2:3</b>: 10x15cm, 20x30cm, 30x45cm, 4x6", 8x12", 12x18", 16x24", 20x30"</p><p><b>3:4</b>: 6x8cm, 15x20cm, 18x24cm, 30x40cm, 3.75x5", 4.5x6", 6x8", 7.5x10", 9x12"</p><p><b>4:5</b>: 20x25cm, 40x50cm, 8x10", 16x20"</p><p><b>5:7</b>: 15x21cm, 30x42cm, 5x7"</p><p><b>7:10</b>: 21x30cm, 42x60cm, 3.5x5"</p><p><b>8:5</b>: common widescreen monitor (as 1680x1050)</p><p>The <b>Golden Ratio</b> is 1:1.618. A composition following this rule is considered visually harmonious but can be unadapted to print on standard photographic paper.</p>

348.

Specify here your desired content-aware rescaling percentage.

371.

Use this value to give a negative bias to the seams which are not straight. May be useful to prevent distortions in some situations, or to avoid artifacts from pixel skipping (it is better to use low values in such case). This setting applies to the whole selected layer if no rigidity mask is used. Note: the bias is proportional to the difference in the transversal coordinate between each two successive points, elevated to the power of 1.5, and summed up for the whole seam.

373.

This option lets you choose the maximum transversal step that the pixels in the seams can take. In the standard algorithm, corresponding to the default value step = 1, each pixel in a seam can be shifted by at most one pixel with respect to its neighbors. This implies that the seams can form an angle of at most 45 degrees with respect to their base line. Increasing the step value lets you overcome this limit, but may lead to the introduction of artifacts. In order to balance the situation, you can use the rigidity setting.